Tag: author_name|Terrence O'Brien
Arturia Pigments 5 adds generative sequencing and external audio processing
It’s hard to believe that Artruria has anything left to add to Pigments at this point, but here we are. NAMM 2024 is just about ready to kick off, and Arturia is rolling out version five of its home-grown super synth. In the grand scheme of Pigments updates, this is…
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Roland Gaia 2 review: Roland finally delivers the hands-on synthesizer we’ve been begging for
I have had two consistent complaints about most Roland gear: a lack of hands-on controls and an unnecessary amount of diving through incomprehensible menus. But, earlier this year the company shipped the Aira Compact S-1 Tweak Synth. Its menu sent me into a rage spiral, but it did offer a…
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Arturia V Collection X is its biggest upgrade in years
Arturia V Collection X is one of the biggest updates to the virtual synth library in quite some time. Six new instruments have been added (though, most have been available separately before) and two have been rebuilt from the ground up. That brings the grand total number of instruments in…
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Moog Mariana is a virtual synth all about plumbing the depths of bass
The name Moog is basically synonymous with bass. The company has pumped out countless synths over the years from the iconic Minimoog Model D, to foot-operated Taurus, to the modern-classic Sub Phatty that deliver incredible low-end. Now its plumbing those depths even further, but in plug-in form, with the Mariana,…
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Expressive E Osmose review: A game-changing MPE keyboard, but a frustrating synthesizer
When I first got to see the Expressive E Osmose way back in 2019, I knew it was special. In my 15-plus years covering technology, it was one of the only devices I’ve experienced that actually had the potential to be truly “game changing.” And I’m not being hyperbolic. But,…
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Roli Seaboard Rise 2 review: I wish I had a horror movie to score
I am, primarily, a guitarist. Dabbling in keys and synths has always felt a bit unnatural from a physical standpoint. A keyboard doesn’t respond the way a fretted instrument does. This isn’t surprising, nor is it a bad thing. It’s just not what I’m used to. The better part of…
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